@prefix rdf:	<http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix ns1:	<https://ld.cultural.jp/data/> .
ns1:minneapolis-1391	rdf:type	<https://jpsearch.go.jp/term/type/\u7D75\u753B> .
@prefix rdfs:	<http://www.w3.org/2000/01/rdf-schema#> .
ns1:minneapolis-1391	rdfs:label	"Welcoming Descent of the Amida Buddha Triad" .
@prefix ns3:	<http://schema.org/> .
ns1:minneapolis-1391	ns3:description	"Classification: Paintings" ,
		"Object name: Hanging scroll" ,
		"Medium: Hanging scroll; gold and color on indigo-dyed silk" ,
		"Style: 13th century" ,
		"Dimension: 33 3/8 \u00D7 14 5/8 in. (84.77 \u00D7 37.15 cm)" ,
		"Text: Followers of the Pure Land sect of Buddhism in Japan believe that, at the moment of death, Amida Buddha will descend from his paradise to receive the soul of a faithful follower. This painting depicts Amida floating downward on clouds. He is accompanied by the bodhisattva Seishi, whose hands are clasped in prayer, and Kannon, who holds a lotus upon which to receive the soul of the dying. The extreme refinement of the painting, rendered entirely in gold on indigo-dyed silk, is a hallmark of Buddhist imagery of Japan's Kamakura period (1185-1333)." ,
		"Description: the Buddhist art of the Kamakura period in Japan (1185-1392) is one of the great religious arts and this thirteenth century painting on silk mounted as a hanging scroll is an elegant and fine example; the Descent of Amida (raigo) is represented; Amida Buddha is one of the leading gods of Buddhism whose cult enjoyed great power from the ninth century; he is usually shown, as here, descending to receive the adorer's soul, for he promises blissful and luxurious life in the next world; in the Mann painting he is accompanied by two divine attendants, the Bodhisattvas Sishi, shown adoring, and Kannon, shown with the Lotus Pedestal; similar but rather inferior figures to these appear in a celebrated early thirteenth century hanging scroll in the Senrin-ji, Kyoto; the Mann scroll is especially splendid not only for the refinement of its draughtsmanship, but for its color; on a muted black background, the figures are gold, the red lines of form being incisions through the gold leaf to the red ground; a light raw ochre halo surrounds Amida's head, the clouds are pale lavender; the use of color is thus austerely restricted, and there are only a few other touches Amida's lips are scarlet, there are pink and white ribbands and some of the precious stones of the jewelry are picked out in dull tints; the richness of the gold, especially against the black, makes for a stunning effect, and the precision of the tense, flowing drawing, incomparably skillful and delicate, can be contemplated with endless pleasure" ;
	ns3:name	"Welcoming Descent of the Amida Buddha Triad"@en .
@prefix ns4:	<https://jpsearch.go.jp/entity/ncname/> .
ns1:minneapolis-1391	ns3:creator	ns4:unknown .
@prefix ns5:	<https://jpsearch.go.jp/term/property#> .
ns1:minneapolis-1391	ns5:agential	_:vb2340048 ;
	ns3:dateCreated	"1201-1300" ;
	ns3:temporal	<https://jpsearch.go.jp/entity/time/1201-1300> .
@prefix ns6:	<https://ld.cultural.jp/data/minneapolis-1391#> .
ns1:minneapolis-1391	ns5:accessInfo	ns6:accessinfo ;
	ns5:sourceInfo	ns6:sourceinfo ;
	ns5:temporal	_:vb2340050 ;
	ns3:spatial	<https://jpsearch.go.jp/entity/place/\u65E5\u672C> ;
	ns5:spatial	_:vb2340049 ;
	ns3:image	<https://2.api.artsmia.org/1391.jpg> .