@prefix rdf:	<http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix ns1:	<https://ld.cultural.jp/data/> .
ns1:cleveland-150074	rdf:type	<https://jpsearch.go.jp/term/type/\u7D75\u753B> .
@prefix rdfs:	<http://www.w3.org/2000/01/rdf-schema#> .
ns1:cleveland-150074	rdfs:label	"Seventy-two Peaks Against the Blue Sky" .
@prefix ns3:	<http://schema.org/> .
ns1:cleveland-150074	ns3:creator	<https://jpsearch.go.jp/entity/chname/\u5449\u6625> ;
	ns3:dateCreated	"1785" ;
	ns3:description	"collection: ASIAN - Folding screen" ,
		"\u5E74\u4EE3\u30FB\u4E16\u7D00:\u6C5F\u6238\u6642\u4EE3\u30FB\u5929\u660E5\u5E74(1785)" ,
		"creditline: Andrew R. and Martha Holden Jennings Fund" ,
		"wall_description: Unlike many painters of his generation, Goshun began his career with considerable social and economic advantage. Perhaps more significant, his upbringing and temperament helped foster his relationships with teachers, colleagues, and patrons. Apparently he moved with ease from the lively environment of the brothels in Kyoto\u2019s entertainment district to the sedate sessions of poetry composition favored by the elite of Osaka and Kyoto. Whether writing haiku or executing paintings incorporating classical literary themes\u2014Japanese as well as Chinese\u2014his talent was recognized early and found abundant favor. Whether studying Chinese paintings themselves or imported painting manuals, or sketching the landscape around him, he gradually defined a more relaxed compositional structure for his work, one that at times almost becomes impressionistic, as in this small by\u00F8bu. The modest dimensions of this folding screen point to its use in the tea ceremony as a low partition in a small tearoom. Yet the scene focuses on the upper realm of an expansive imaginary Chinese landscape formed solely from a linear web of brushstrokes accentuated with groups of dots and small areas of ink washes. The lack of human figures serves to heighten the viewer\u2019s sense of seeing the peaks of a tall mountain from high up in the air rather than from the more customary viewpoint of a traveler in a landscape. Goshun heightens the individuality of this setting and its format by painting on silver and gold foil, creating an alluring surface and deep space in this surprisingly spare vista. The overall effect is to create a sense of color in a painting in which none exists, apart perhaps from the brief, enigmatic inscription on the right panel giving this by\u00F8bu its title. Goshun\u2019s acknowledged literary and visual sophistication during this period of his life is encapsulated quietly in this work, which contrasts with his large figural presentations, such as <em>Scenes from Essays in Idleness</em>." ,
		"tombstone: Seventy-two Peaks Against the Blue Sky, 1785. Matsumura Goshun (Japanese, 1752-1811). Eight-panel folding screen, ink with gold and silver foil on paper; image: 51.5 x 275.2 cm (20 1/4 x 108 3/8 in.); overall: 69.6 x 282.4 cm (27 3/8 x 111 3/16 in.); with frame: 72.9 x 285.7 cm (28 11/16 x 112 1/2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1980.28" ,
		"type: Painting" ,
		"culture: Japan, Edo period (1615-1868)" ,
		"\u54E1\u6570:8\u66F21\u96BB" ,
		"\u4F5C\u8005\u7B49:\u5449\u6625\u7B46" ,
		"id: 150074" ,
		"measurements: Image: 51.5 x 275.2 cm (20 1/4 x 108 3/8 in.); Overall: 69.6 x 282.4 cm (27 3/8 x 111 3/16 in.); with frame: 72.9 x 285.7 cm (28 11/16 x 112 1/2 in.)" ,
		"technique: Eight-panel folding screen, ink with gold and silver foil on paper" ;
	ns3:image	<https://openaccess-cdn.clevelandart.org/1980.28/1980.28_web.jpg> ;
	ns3:name	"\u9752\u5929\u4E03\u5341\u4E8C\u8299\u84C9\u56F3\u5C4F\u98A8"@ja ,
		"\u9752\u5929\u4E03\u5341\u4E8C\u8299\u84C9\u56F3"@ja ,
		"Seventy-two Peaks Against the Blue Sky"@en ;
	ns3:temporal	<https://jpsearch.go.jp/entity/time/1785> .
@prefix ns4:	<https://jpsearch.go.jp/term/property#> .
@prefix ns5:	<https://ld.cultural.jp/data/cleveland-150074#> .
ns1:cleveland-150074	ns4:accessInfo	ns5:accessinfo ;
	ns4:agential	_:b33860692 ;
	ns4:sourceInfo	ns5:sourceinfo ;
	ns4:temporal	_:b33860695 ;
	ns3:relatedLink	<urn:x-cite:Cunningham,_Michael_R._Unfolding_Beauty__Japanes-g2450688050> .
@prefix ns6:	<urn:x-cite:> .
ns1:cleveland-150074	ns3:relatedLink	ns6:Admired_from_afar__masterworks_of_Japanese_paint-g2417677653 ;
	ns4:relatedLink	_:b33860693 ,
		_:b33860694 .
ns1:cleveland-exhib-admired-2014	ns3:workFeatured	ns1:cleveland-150074 .
ns1:cleveland-exhib-asian-autumn-1993	ns3:workFeatured	ns1:cleveland-150074 .
ns1:cleveland-exhib-byobu-1987	ns3:workFeatured	ns1:cleveland-150074 .
ns1:cleveland-exhib-review-1980	ns3:workFeatured	ns1:cleveland-150074 .
ns1:cleveland-exhib-screen-2001	ns3:workFeatured	ns1:cleveland-150074 .
@prefix ns7:	<http://purl.org/net/ns/itemd#> .
_:b33865091	ns7:item	ns1:cleveland-150074 .
_:b33865147	rdf:first	ns1:cleveland-150074 .